#Nolan 100

No.23 Agricultural Hotel - Philip Mead


No.23 Agricultural Hotel - Philip Mead

Sidney Nolan’s art has embedded some powerfully iconic images into the Australian cultural optic: the black letter box of Ned Kelly’s quilted iron armour, sometimes with Ned’s eyes, sometimes a furnace, or just a clear view to a yellowing Australian landscape.

Stripey Eliza Fraser and the convict on their dark dream of an island. The doomed, camel-mounted explorers Burke and Wills, always looking out at the viewer in stupefied photo opportunities, on the fringe of watery-grey ramshackle settlements, or mangrove-stranded. Returned soldiers with skewed faces. Always painterly and knowingly naïve, there are also ideas strewn across Nolan’s work: surreal drop-ins, or are they interlopers? – desert birds and decoy ducks in mid-air, upside-down horses in free-fall, sheep carcasses in trees. Metaphysical paintings – what is there exactly? they ask – free of mannerism.

This painting was used on a dustjacket of Cynthia Nolan’s 1962 travelogue, Outback, about her, Sidney and their daughter Jinx’s travels across the centre and the west in 1948, the year of their marriage. This painting was probably inspired by a slightly earlier trip to Bourke in north-western New South Wales. With other paintings of hotels of the same year – “Royal Hotel,” “Dog and Duck” it seems to epitomise the haunting, desolate outback that Nolan would shortly expatriate himself from. A relict landscape, the remains of an earlier era of settlement well on its way to extinction. That’s J. Sheehan presumably, front and centre, with his clean white shirt. Irish Australian but with hidalgo moustaches, a singular type of the Licensee.

The landscapes of these hotel paintings are evenly divided between a cinnabar-tinged ochre foreground and a white-glowing azure sky. Barely visible on the horizon are some mauve mullock heaps, and beyond that a blue range, but it might as well be another planet. “Agricultural Hotel” is less grand than Nolan’s other hotels, it has only one storey, two tin chimneys. The metaphysical dimension is apparent from the absurd, wire-framed contraption on the roof of the hotel, the skeleton of a reaper-binder. Why is it there? Or, is it there? Sheehan must dream of being a purveyor of agricultural implements as well as a hotel licensee, and this machine is a figment of his imagination, a sketch. Nolan sees a beautifully coloured landscape, precarious as a movie set, almost empty, but inhabited somehow, haunted by incomprehensible individuals. The psyche of the place is so delicate and finely balanced.'

Professor Philip Mead is inaugural Chair of Australian Literature at University of Western Australia and Director of the Westerly Centre.

Sidney Nolan, Agricultural Hotel, 1948, Ripolin on board, 90.2x120.5 cm (h,w), The University of Western Australia Art Collection, Tom Collins Memorial Fund, 1953, © The Trustees of the Sidney Nolan Trust

No.1 - Four Abstracts - Alexander Downer

No.2 - Self Portrait - Angus Trumble

No.3 - Arabian Tree - Kendrah Morgan

No.4 Riverbend I - Francine Stock

No.5 - Desert - Andrew Logan

No.6 Dog and Duck - Jane Clark

No.7 Vivisector - Tim Abdallah

No.8 In the Cave - Rebecca Daniels

No.9 Young Soldier - Clare Woods

No.10 Ned Kelly - Shaun Gladwell

No.11 Bird - Deborah Ely

No. 12 Hare in Trap - Nicholas Usherwood

No.13 Untitled (Catani Arch, St Kilda) - David Rainey

No.14 Death of a Poet - Simon Martin

No.15 Study for Samson et Dalila - Elijah Moshinsky

No.16 Rimbaud at Harar - Edmund Capon AM OBE

No.17 Quilting the Armour - Jackie Haliday

No.18 Snake - David Walsh

No.19 Angel and the Tree - Dr Nicky McWilliam

No.20 Brian the Stockman at Wave Hill Mounting a Dead Horse - Damian Smith

No.21 Steve Hart Dressed as a Girl -Jennifer Higgie

No.22 Women and Billabong - Anthony Plant

No.23 Agricultural Hotel - Philip Mead

No.24 Policeman in a Wombat Hole - Kay Whitney

No.25 Peter Grimes - David Lipsey

No.26 Self Portrait in Youth - Barry Pearce & Duncan Fallowell

No.27 Riverbend I - Ian Dungavell

No.28 Drowned Soldier at Anzac as Icarus - Paul Gough

No.29 Thames - John Tooley

No.30 Girl - Amelda Langslow

No.31 Ned Kelly and Policeman - Daniel Crawshaw

No.32 Tarred and Feathered - Nick Cave

No.33 Self Portrait - Denise Mimmocchi

No.34 Peter Grimes's Apprentice - George Vass

No.35 The Emu Hunt - Roger Law

No.36 Luna Park - Paula Dredge

No.37 Rose in Coffee Pot - Anthony Collier

No.38 The Cardplayers - Nevin Jayawardena

No.39 Bathers - Lesley Harding

No.40 Aboriginal Girl - Jennie Milne

No.41 Pretty Polly Mine - Michael Brand

No 42. Roses in a Merric Boyd Vase - Jack Galloway

No 43. Brett Whiteley - Jonathan Watkins

No 44. Island - Nick Yelverton

No 45. Luna Park - Bill Granger

No 46. Face of the Damned - Kate McMillan

No 47. Central Australia - Leanne Santoro

No 48. Crane - Brian Adams

No 49. Myself - Simon Mundy

No 50. Going to Work, Rising Sun Hotel, 1948 - David Ferry

No 51. Figure at Harar - Andrew Turley

No 52, Greek Figures - Simon Pierse

No 53. Randolph Stow - Suzanne Falkiner

No 54. Landscape No.27 (Convalescence) - Suzanne Falkiner

No 55. Self portrait - Oliver McCall

No 56. McMurdo Sound - Mike Clements

No 57. Faun, Woman, Rider, Horse - Mark Fraser

No 58. Season in Hell (Benjamin Britten) - Anne Bean

No 59. The Slip - Humphrey Ocean

No 60. Central Australia - Chris Drury

No 61. Riverbend - Christina Slade

No 62. Head - Celia Johnson

No 63. Myth Rider - Desmond Browne

No 64. Stockman - Bridget McDonnell

No 65. Untitled (flower) - Roma Piotrowska

No 66. Chinese Landscape - Celia Perceval

No 67. Untitled - Des Hughes

No 68. Crucifixion - Rod Bugg

No 69. Icebergs - Laurence Hall

No 70. Bather in a Lily Pool - Amanda Fitzwilliams

No 71. Breaks like the Atlantic Ocean on my head - Michael Berkeley

No 72. Carcase in Swamp - Elpida Hadzi-Vasileva

No 73. Ern Malley - Isabella Boorman

No 74. Mrs Reardon at Glenrowan - Adrian Kelly

No 75. Landscape Carnarvon Range, Queensland - Catherine Noske

No 76. Abraham and Isaac - Sarah Bardwell

No 77. Rosa Mutabilis - Catherine Hunter

No 78. Artist drawing nude - Victoria Lynn

No 79. Boy and the moon - Natalie Wilson

NO 80. Explorer and Township - Helen Idle

No 81. All Tastes Like Dust in the Mouth... - Carolyn Leder

No 82. Young Boy Who Was Good at Latin - Roxy Shaw

No 83. Mrs Fraser - Anne Carter

No 84. Paradise Garden - David Oliver

No 85. Leda and the Swan - Marilyn Sweet

No 86. Burke and Wills at the Gulf - Jenny Watson

No 87. Dream of the latrine sitter - Ryan Johnston

No 88. Footballer - Gerard Vaughan

NO 89. Sketch for Ned Kelly - Amanda Fuller

NO 90. Woman in Lagoon - Jinx Nolan

No 91. Cherries in a bowl - Peter Blake

No 92. Fountain - Heywood Hill

No 93. Artist and painting - Charles Nodrum

No 94. Death of Constable Scanlon - Anita Taylor

No 95. Untitled (abstract) - David Jaffe

No 96. Digital image - Joe Studholme

No 97. Seated figure and bird - Sally Aitken

No 98. Burke and Wills expedition 'Gray sick' - Gary Sangster

No 99. Kangaroo at Ayers Rock - Pru and Anthony Napolitano

No 100. The Galaxy - Elizabeth Langslow